The Raid 2 (2014) – IMDb

via The Raid 2 (2014) – IMDb.

Like the rest of the audience who has seen The Raid: Redemption, I was excited to see the sequel The Raid 2: Berandal. When I first found out it was showing at a local theater in my territory for a limited time with few showings to offer, I just had to get a ticket. I walked in the dark, empty theater which the movie has just begun and grabbed my seat, looking at the screen the whole way. Once I sat, a voice to my left says: “out of the whole theater you had to sit next to me?” I didn’t even notice someone was there, the man moves and I say “my bad”. I just wanted to see this film with the best seat. This epic, bloody and complex film Gareth Evans, writer and director, originally conceived before The Raid 1.

The first movie is much simpler than the second. It was straight forward with amazing fights and stunts. The sequel takes off just moments after, already introducing a major villain. We’re then brought to the attention our hero from the previous movie, Rama, that he’s being sent in to the underground world by a secret organization who seeks out corrupt cops. He is to help a dangerous gang member, Uco, who is in jail and earn his trust so he is accepted into their clan on the outside. Once he earns their respect and trust he is to cut the head off the snake so the gang wars will come to an end. But it becomes more than what Rama was expecting, he is caught into a web of distrust, betrayal, and an all out war. The beginning of The Raid 2 is a bit confusing at first, you’re introduced to a number of characters and backgrounds. It’s a little hard to keep up because of the pace it is presented but eventually you move on after the first half hour with a deadly brutal fight scene in the muddy courtyard inside the jail.

The movie doesn’t kid around when it comes to violence, neither is it shy. It is raw and can rival the darkest of horror. It’s an all in your face, no holds bared, adrenaline pumped two and half hour movie. I felt bruised and exhausted after the first movie which was an hour shorter; this one has more to offer as to do with the storyline, which is somewhat reminiscent of The Godfather series. The Raid 2 is relentless in depicting violence but the choreograph is superb. Most notably is the kitchen scene which is Gareth’s favorite, and mine, too. You can feel the momentum and impact in all the fight sequences, they have a way of feeling dynamic. No fight scene is used just to have a fight, everything has lead up to that point where there is reason to fight and makes it feel that more impactful. Much like Gareth’s directing which is also dynamic, it flows with the story and movement of the characters like a punch to the face or grinding a head to the wall. I do have one suggestion, or minor complaint, with all the brutality in the air I was looking for a different fight scene to change pace. There is a scene which leads outside from a club to the snowy streets. The tempo is slowed for a little and our character is faced with another villain, The Assassin. The snow is falling, you still have the dark atmosphere, but the brutality persists. I was hoping for this scene to have a beautifully crafted fight in the snow, without an overdose of blood shed and a ballet like fight. It may sound corny but wish Gareth switched the fighting style. A death like that should be beautiful not torn away meaninglessly. Although, the car chase sequence is awesome and increases the heart rate and is well shot.

Other than the Assassin, two icons have emerged here as if ripped from a comic book. You have a deaf mute, Hammer Girl, who wields two hammers and delivers heavy damage. And her brother Baseball Bat Man who carries a bat and his trusty baseball. The two together are the most interesting characters here who could have their own movie covering their background. Which Gareth Evans did discuss during the awkward Q&A in the special features. Either way, their child-like manners don’t get in the way of them hammering down or hitting their victim from afar with a baseball.

There is a lot that happens in The Raid 2 , although a little confusing first time round, it has a good storyline with unforgetful fight sequences. It’s either just as good as it’s predecessor or better, up to you, but I think it’s just as good. Gareth Evans has filmed a very dynamic and visually artistic action-gangster-epic. He has kept most of his crew from his past couple projects; you will notice stuntmen and characters reprised, and some even from his segment in V/H/S 2 (which was quite shocking and down right creepy). I like it when sequels are different from the first and can still entertain, keeping things fresh. I look forward to the next installment, hoping it will bring a little more to the table. The first two had a dash of subtle dark humor, but very little, perhaps the next Raid will provide more and add some emotional depth. What do you think?

Jurassic Park (1993) – IMDb

via Jurassic Park (1993) – IMDb.


I remember owning this movie on VHS and had my name written on it so people knew whose it was. Jurassic Park had a tremendous influence on me, as it did a whole generation and many to come; it was one of the reasons I fell in love with practical effects and creature features. Steven Spielberg didn’t intend for this movie to be a monster movie but more about what would happen if engineers brought dinosaurs to life and we walked side by side? Universal Studios bought the rights to Jurassic Park before it was even published, confident it would be a box office hit. Right they were. The movie was sold out for consecutive days. David Koepp, the writer, said: “I’m no expert, but I think this is a good movie.” We’re still under the shadow of this colossal movie, having the fourth installment arriving just days away, exactly 22 years after the first was released. It is much anticipated by fans and new comers to sink their teeth into but I feel it won’t have as much a bite as the first initially did. It is epic, beautiful, thought provoking, and a harrowing adventure that friends and families will remember for a lifetime to come.

We all know Steven Spielberg can handle any project he comes into contact with, he has an act for directing with a sense of warmth, suspense and adventure in his pictures. Jurassic Park is clearly a masterpiece. From the special effects to the subtle wit to the dramatic ferociousness and back to the overwhelming, spectacular effects. Stan Winston (Aliens) and his team out did themselves here, the effects are top notch and even subtle. Like when Lex shines a light into the T-Rex’s eye, it dilates; or when the raptor’s eyelids move or nostrils flare. The dinosaurs have so much life, you can see the weight and even their breath on glass. They seem so realistic it’s extraordinary to this day, and the CGI is better than a lot of movies today. The special effects won an award for their hard earned effort and same for the incredible sound. Without the sound, or music, Jurassic Park would have a big difference. The score is beautiful and adventurous and will stay in your head, I even whistle it randomly. The music and sound together adds to it’s over all atmosphere giving it a distinctive feeling, it’s a whole another universe to experience and yet it’s familiar.

In the first hour it’s all character development. The slow burning attribute helps the viewer become aware of what you’re watching and it makes you feel more. It draws you in with the sense of control Spielberg has on the development of the story. You are introduced to an engaging and varied sorts of characters. You have the creator of the amusement park John Hammond, played by Richard Attenborough who was good friends with Spielberg and fits his role. Hammond comes and invites two paleontologists, Dr. Sattler (Laura Dern) and Dr. Grant (Sam Niell), to visit his monstrous park. Sattler is ready to move forward in a relationship with Grant and have kids but he simply does not like them, must be the smell. Grant is also old fashioned and loves his work but sees technology is making his field more advanced. Although it helps with new discoveries, it takes away the whole experience of digging. Flying over seas via helicopter to an island 150 miles away from Costa Rica you meet Jeff Goldblum’s best fitting character Ian Malcolm, otherwise known as Dr. Chaos. There’s also the blood sucking lawyer, Genarro, who is greedy for money and only cares about convincing his investors; Hammond’s two grand kids who are stellar actors here, and the veteran hunter, Muldoon, who has a close eye on the velociraptors.

From the landing pad to becoming a dinosaur’s next meal is a fun experience on par with a theme park. Exactly one hour in is when the movie kicks in gear and you are treated to the infamous T-Rex scene breaking out of his paddock. Spielberg presents the terrifying creature with precision and horror, taking enough time to invoke this unstoppable fear that will cause chaos.
During filming, when it would rain, the T-Rex would malfunction and come to life and scared some of the crew. Shoot, I would, too, seeing it was a life size man-eater! The crew would give out warning when the monstrous king would step out onto the set since a sweep of it’s head flying by you felt like a bus passing by. Put that into perspective…

Jurassic Park will feed you some scary sequences. John Hammond, the theme park creator, takes his guests to the velociraptor’s paddock just in time to see it fed. You don’t see it, only it’s small area of confinement that’s covered with plant life. A cattle is lowered into the thick. And then the crunching and mauling sound of it being torn to shreds and the plant life shaking and swaying, reacting violently. The feeding scene is excruciatingly terrifying cause your imagination goes to work like the raptor does on the cattle. You also learn these animals have intelligence. What’s more terrifying than intelligence? Intelligence with memory, even more so when you find out it has escaped.

Man and dinosaurs were not meant to walk side by side. There are discussions and themes about it through out the movie. One of my favorite scenes, one that seems to be overlooked (and as a child I found boring) is after the raptor’s snacking when the group gather in a room to discuss the park and have a bite to eat. Although, no one touches their food. In fact Hammond is bewildered that the scientists don’t like the idea of free will to create this life that has been separated from humankind for 65 million years. Especially Ian Malcolm (who has the best lines), who has a morbid sense of humor but is also deep in thought; he is dressed in all black, contrary to John Hammond who is dressed in white. This is symbolic for the two characters. Hammond is a God-like figure. He has been present for every birth on the island and, like birds, they imprint the first face they come into contact with which helps them to trust him. Hammond has the power to create the illusion of life out of free will but failed to have the discipline and responsibility to gain this power therefore not fore seeing the actions he has put into play. Moving up from his flea circus, he wanted something tangible for people to see and touch. But he wants to control the uncontrollable; life finds a way, as Malcolm tries to convey to him the chaos theory. Malcolm has a dark approach but it’s reality. Telling Hammond that life breaks boundaries, painfully and even dangerously. You can not simply control something that wants to be free. It was natural selection that killed the dinosaurs and they were “[raping] the natural world” bringing them back. Hammond’s ignorance and Malcolm’s arrogance are the best of both worlds, providing us deep conversation with intrigue. 

Michael Crichton wrote Jurassic Park because of his fear of advancing bio-engineering technology and that one day dinosaurs will be back possibly for the sake of entertainment and profit. Something to think about of our future. Also, Crichton compared himself to Malcolm because of his outlook on life and Spielberg to Hammond. If that’s so, than I’m Grant cause I’m not really good with technology either.

We can’t even handle each other, what makes you think we can handle dinosaurs? Steven Spielberg has directed a genuinely smart, timeless epic that inspires me to read the book and will be loved by everyone to come into contact with. This magical movie leaves a message for us and after an unlikely hero saves the day, the ending moments leaves a sweet, melancholy filling. No words are spoken, just the beautiful score to help sink in our survivors’ weekend adventure.

Extra: I’d like to think Wayne Knight’s character Nedry, changed his name from Newman (Sienfeld) who was having financial problems but found a way to fix that. He left his apartment in New York and his post man job to do a gig for a company who wanted dinosaur specimens. His mission: to infiltrate the lab on Site A and acquire dinosaur embryos and return them for large amounts of cash. But when you combine money and greed, you become blinded by a toxic, gooey venom of evil.

Identity (2003) – IMDb

via Identity (2003) – IMDb.

It was around my 4th-5th grade year when Identity came out. Once it was released on home video my dad rented it and one night I really wanted to watch it. This was during the time when I was exploring all sorts of movies, expanding my knowledge on such great films. After watching Ghost Ship (not so great) and found it a little scary I thought I could watch anything. So late one night my father placed the movie in and before pressing play he says: “If you have any questions, save it for after the movie”. Unfortunately he fell asleep and I was left mesmerized, scared, and contemplating the whole story with questions raining in my head. I went to school the next day and heard a friend say she watched it the night before as well, I sprang into action and proclaimed “wasn’t it awesome?! What did you think?” She didn’t understand it and so she didn’t like it which baffled me. Never have I seen a movie or experienced one like this at that time in my life; this movie marked my love for psychological movies.

The story starts with one small act of an event that causes a chain reaction for several strangers to confront each other in a small, deserted motel in the middle of a storm out in the middle of nowhere. But the weird starts happening, people start dying, one by one. Tension rises with clues and twists that makes everyone a suspect making your head tumble like in the drier just to figure it out. Identity even points the finger for you, playing with your head. You will keep guessing until the very end and questioning what really is going on. Is it supernatural? A dream? Or just some trick? Some will probably figure it out beforehand but it’s fun ride none the less, since something is always going on.

John Cusack did an okay job as the limo driver, it isn’t his best work by far. Although, I’d enjoy to see him in a horror flick; he has a dark, curious presence that fits. Ray Liotta did a fine job as the cop, as well as John Hawkes as the manger of the motel from *southern accent* Mulberry.Gary Busey was convincing as the con-man and Amanda Peet’s acting felt a little forced but was good. The motel itself, though, is a dark, suspicious place. A place that you would dream about and wouldn’t want to get lost in, in it’s cold and wet, creepy atmosphere. The motel is shot beautifully by James Mangold who was enthusiastic about this moody, mystery project.

Identity is a great psychological thriller with elements of horror. It’s fun the second time round watching it, but after that the experience wears down, unless you watch it with someone with fresh eyes just to see how they take it in.

A Fish Called Wanda (1988) – IMDb

via A Fish Called Wanda (1988) – IMDb.

A dark comedy with sex, diamonds, foreign accents, and fish. A Fish Called Wanda kicks off with a group of four burglars who steal diamonds from a bank but unknowingly each of them wants to keep the loot for themselves. John Cleese writes this hysterical farce dishing out one-liners, vulgarities, and a clever-wit accompanied by a great story. This is his personally favorite film of his and he also stars as the lawyer who defends one of the suspects. If he’s lucky enough he may get a share of the loot and even the sexiest, most exciting woman he’s ever seen.

A Fish Called Wanda is a perfectly cast film. Even more so for Kevin Kline who won an Oscar for his performance, which surprised me because you don’t see that happen too often in this genre. It’s a stand out performance you will need to witness for yourself as the loony, don’t-call-me-stupid role, Otto. I can’t help but think if Super Mario was a villain in real life it would be Kevin Kline. I mean, look at how he jumps at the beginning of the movie in the garage when he and Wanda find out the loot has been relocated, reminds me of the older days of 2-D Mario.  Another stand out role is Jamie Lee Curtis who is sexy as ever as the conniving Wanda. She is determined to get her diamonds at any cost even if it means she has to kiss every major role player here (why couldn’t I have been a part of this?). Wanda pretends to be a law student and must get ‘friendly’ with a lawyer, Archie Leach (John Cleese), hoping he could tell her where the diamonds are since he is defending George, the one who relocated the loot. And then there’s the other Monty Python alumni, Michael Palin, as the stuttering K-K-Ken who is an animal lover and possibly has the saddest sub-plot who must kill the only witness: an elderly lady with three dogs. Palin’s father had a stutter so he knew how to transfer his experiences to the film.

Everyone did an excellent job in this funny, funny fare. Cleese wrote a story that is a bit messy but gets flattened out by the end (ba-da-bum-bum). A Fish Called Wanda is a smart, cleverly written movie that has hysterical moments and inside jokes that will leave you laughing so hard your heart beat will race 250-500 beats a minute like the guy in Denmark who died laughing in the theater. Yes, really. A forgotten gem that should be watched to remember how funny a good comedy can be with a smart story line and witty, fun characters. If you decide to watch this with a side of Fish n’ Chips don’t eat the green fish, it’s not ripe yet.

Hell to Eternity (1960) – IMDb

via Hell to Eternity (1960) – IMDb.

Over at my grandfather’s  I’m scanning his book collection which consists of WWII stories and other knowledgeable information on the war. Now he is someone who watches a lot of History Channel or Military Channel and anything in between on WWII to the point my grandma comes in the room and asks him “did Hitler win the war yet?” Among his historical book collection, he pulls out a book titled Saipan by Guy Gabaldon. My grandfather showed me the book was signed by Guy and they even had a few pictures together. I became interested and so I edged my grandpop to tell me more. Certainly, this was an offer he couldn’t refuse, he began to tell me it was about a young man who fought in the pacific and persuaded hundreds of Japanese civilians and soldiers to surrender single handedly. Now that is a great wartime story. After I found out Saipan was made into a full feature length film, knowing me, I located it on Amazon and purchased a copy for my grandfather and I to watch.

To rewind a little, Guy Gabaldon was born in Los Angeles, CA. At an early age he was orphaned and then was raised by a Japanese family who took him in in the 1930s and he even began learning their language and customs. Once 18, he was sent to fight for the U.S. on Saipan in 1944, an island off of Japan. Hell To Eternity starts with build up then the rest is shipped to the islands for the war where marines were getting killed left and right, fortunately Guy knew Japanese and used it to his advantage by communicating with the enemy. This was most helpful when he surprised the Japanese leader and told him to call off the attack or else he, the leader, would be shot. He told Guy that the order was already given, so regardless if he was killed or not the orders would be carried out. Guy takes the general out to call his men off and turn themselves in. Now, if you know Japanese custom, this is dishonorable and you would take your life for your country. The general conveys the message to his troops who are battered and starving and explains to Guy it wasn’t a pretty sight seeing his troops surrender. After hearing their leader’s command they submit and the general takes his life overlooking his several hundred men. Guy Gabaldon courageously turned in 800 hundred Japanese. An amazing, unheard of story I found inspirational and eye opening.

The movie is shot in black and white but the movie moves at a decent pace. Actually, some real WWII footage was used for the landing on the beach. Hell to Eternity is not all that violent but there is blood and many gunshot wounds. Wonderfully shot, the explosions and fight scenes are a great depiction of what happened on Saipan, so no need to worry about boredom. The story, though, is truly the main feat. Everything from seeing Guy’s new found family being sent to an American-Asian camp (who my grandfather even remembers at a young age nice Japanese neighbors being forced to move away) to delivering the unarmed, Japanese soldiers. I found myself relating to this movie, but in a sense of trading and receiving culture. I’ve grown up all over the place and my grandfather is Mexican and I’m Caucasian, and yet we’re very alike. Also, see below picture, right is Guy Gabaldon and left is the actor who portrayed Guy, Jeffrey Hunter. This is like SO Hollywood, getting a white man in Hispanic shoes, no bash though, Jeffrey did a fine job. Culture is everywhere and if we can set everyone’s differences to the side the world would be a more happy place. Family knows no color. I enjoyed this movie and I am happy it’s in my collection already. Do yourself a favor, dig up this classic and give it a watch.

Shrink (2009) – IMDb

via Shrink (2009) – IMDb.

A delightful film. Sitting in my queue on Netflix since it’s release, I finally came around to watching Shrink. Over the years Kevin Spacey has become a favorite of mine, not just for his movie acting but his movie choices. Too bad I didn’t watch this film sooner, It’s a film about movies but more over about how the person next to us could be experiencing a bad time. Everyone goes through time and life differently, Shrink displays this very well and at the cost of two hours, you can spend your time enjoying yourself watching a story that intertwines with other stories. At a minor tempo pacing, the film unfolds at a calm, stoner pace; revealing a storyline thoughtful, heartfelt and honest.
Kevin Spacey is a therapist, Henry, who mostly has meetings with other celebrities; step in Robin Williams cameo, and is struggling over his wife’s death. His recovery consists of heavy pot smoking and drinking next to the pool. Poor guy needs a break but instead is slammed with the responsibility of a young girl who has also suffered a loss. They come to terms that going to the movie theaters is better than talking at an actual appointment. The rest of the story I will let you figure out on your own because it’s a journey worth going through. I’m one of those type of people who like to talk about movies within movies because movie in general are awesome. They can help gravitate to any means we mean necessary and interpret thoughts we occupy daily. Shrink looks at the different angles and explains the story it wants to convey through a simple form of dialogue. Many movies take this form, I’m just surprised by this small movie how it went and went above my expectations.
At times, a darkly comedic film with a rewarding cast. By the end of it all you feel everyone was a close family.
A movie recommended for those who enjoy showbiz flicks like movie buffs or just people looking for a calming, moving title. I like how the story held it’s subtle wit but kept it’s dramatic charm for a story. I myself like to aspire myself to be a filmmaker, one can dream, right? Until then, maybe I should get a celebrity shrink in the process.

Caddyshack (1980) – IMDb

via Caddyshack (1980) – IMDb.

A movie that ages like fine wine. Released in 1980, Caddyshack wasn’t warmly accepted by critics and audience alike saying it was too crass and had no class, I say nay, this movie was ahead of it’s time and people couldn’t see the big laughs presented. The laughs come fast at knock out speed with full attitude. Caddyshack is nothing but zany, silly humor that is both witty and dumb and will none the less end in laughter.
At first, you may think “oh, this is too much and old fashioned, I’m not going to like it” but don’t quit so early, the movie has just begun! I didn’t even catch all the laughs the first time round, or the second; some laughs I found more rewarding once I knew some of the history of the movie. I’ll give credit to the whole crew for all the booz and drugs done off camera. A lot of talent is to be had here, you have three SNL guys and a veteran actor. Ted Knight plays a veteran judge and is very old fashioned. He has with him his wife and the sexy granddaughter who likes to have fun and can palm read. As for the SNL crew they deliver if not all the laughs. Chevy Chase as a cool womanizer who is heading through life kind of aimlessly. His acting is hilarious under his calm demeanor. Rodney Dangerfield delivers the most energy and is the most obnoxious golfer to be around, but only if you don’t know how to party; his delivery on one-liners are stellar and will have you rolling on the floor. And finally, you have Bill Murray, the man who pretty much rewrote his whole script and played such a goofy character trying to kill a golfer, sorry gofer, who has been tunneling all over the golfing premises. I loved every minute Bill was on screen. From the story he tells when he met the Daila Lama to the Cinderella story are just priceless.  What made that even cooler was having Bill and Chevy on the same screen together. It’s a small bit but it’s funny despite the two having quarrel at the time. They were two legends from SNL taking drags from homemade grass and swigs of alcohol, just a beauty on screen.
There are just too many lines to remember, so many scenes to replay in your mind and laugh, thanks to the editing. This is due to the movie length being cut down from like a three hour film to just 98 minutes. Makes me curious as to what was cut out. With all the drinking to the side, there must have been a lot of ad-libbing. And with a comfortable atmosphere anything can happen, thanks to the director, Harold Ramis (Groundhog) who was very level headed and always had a smile on his face. Sad to hear his recent passing but always made movies that had laughter.
Hold the phone, Caddyshack delivers such great comedic performances I forgot to mention there is a storyline, Danny Noonan (Michael O’Keefe) is an upcoming caddy trying to earn a scholarship by winning the caddy tournament. This simple storyline is just teased through a good portion of the movie, being overshadowed by the comedic performances, the conclusion swings everything nicely together in one hole.
I have re-watched Caddyshack many times and I find more reasons to watch it one more. This movie will grow with you the more you watch it, you get it’s humor and laugh at something you didn’t notice before. It’s great to watch with friends or just to relax for a laugh after a long day. You don’t want to miss out on this comedy classic.

Judge Smails: You know, you should play with Dr. Beeper and myself. I mean, he’s been club champion for three years running and I’m no slouch myself.

Ty Webb: Don’t sell yourself short Judge, you’re a tremendous slouch.

The Babadook (2014) – IMDb

via The Babadook (2014) – IMDb.

What do you do when your kid asks you if you want to die? Especially if it’s coming from your son who no one wants to be around with. Even you start wishing your boy was normal. The Babadook is a very well written boogeyman tale that delves into your psyche and hits the dark corners of your mind and emotions you wouldn’t expect it to do at first sight. Firstly, you have a single mother, Amelia, played wonderfully by Essie Davis (where’s the nomination?) who works at a retirement home and takes good care of her seven year old son. She is in need of help, mostly due to the absence of the affectionate touch from a man in her life and sleep depravity. Someone give this woman some chocolate and a day off. Amelia lost her husband on the day of the birth of her child, Samuel. Samuel is a troubled kid who fancies magic and plays with his imagination. But when is it ever imagination? He takes up arms in defense from this dark force and, like his father, speaks his mind, talking about the monster where ever he goes, even scaring kids his age. The crazy talk is heightened to a new level when Amelia says Samuel can choose a story to read before bedtime, of all stories he chooses The Babadook. The words and the pop-up pictures are no less than unsettling and peculiar. Where did this book come from? Like the film itself, the book is draped in black and grey, paling colors making it feel ghostly and depressing. She says to choose another book but Samuel wants to keep reading the story he has chosen. From here, the weird begins to escalate. Amelia even rips up the book and tosses it. But after three heavy knocks at the door, the book returns at her door step. She turns for help from her sister, Claire, but she wants nothing to do with her, especially Amelia’s son who talks about a monster and unintentionally hurts Claire’s daughter. Good going. More sleepless nights occur, more encounters with the boogeyman. Amelia looks to the police to report someone stalking her and her son, but she knows they would write her off as crazy. The stress level starts to wear down on Amelia and you see it, you even start to experience it. My head felt toyed. Is this real or is she just experiencing a nightmare? She begins to mistreat the boy (oops, I said it) like her psyche takes a sinister turn. It’s something you wouldn’t hear her say or see her do, it’s just not her, not what a mother would do.

The story is similar to the likes of Insidious and many other scary movies involving a troubled kid and a dark spirit who wants to house your body. What makes this different though is it’s approach. Even though there are some good creepified moments, this movie isn’t all that terrifying. It was more psychological than expected and focused on family values. There’s a lot of build up, too, which made it more of a drama. The ending leaves you a bit unsatisfied seeing that the first 3/4 of the movie promised a strong conclusion. You will be scratching your head. Have you figured it out?
I plan on adding this film to my collection. The Babadook will hook you in to it’s dark atmospheric tale. The build up helps you understand Amelia and Samuel’s situation which is why you care and makes moments more stressful. The mother even becomes scary at a point, but I recommend you watch this just to see how The Babadook stands out from other horror gems. By the way, if you hear three knocks, don’t let it in.

Till Human Voices Wake Us (2002) – IMDb

via Till Human Voices Wake Us (2002) – IMDb.

Till Human Voices Wake Us I found while binge looking on Netflix for movies to watch in the future. I knew nothing about it except Guy Pearce’s character, Sam Franks, meets a woman who reminds him of a lost lover from the past. Having Helena Bonham Carter and Pearce attached to the feature I was interested in watching it.
A small Australian film that’s sad but sweet. Movie kicks off with Sam visiting his father in the hospital who passes away while during a game of chess. His father’s wish was to be buried in Genoa, Australia. Sam is not comfortable with the idea because it’s where he lost his girlfriend and buried the thought of it since, but it’s dug up. On the way to Genoa via train, he drops his book and loses his place. A woman picks it up, Ruby (Carter), and finds the place where he left off and hands it back to him. You don’t see Ruby again until later that night when Sam is driving through a storm and sees a woman standing on a bridge about to commit suicide. She jumps in the water and Sam is quick to react and saves her. Upon taking her in his care, she doesn’t remember a thing. Thankfully she’s not crazy or else this could have easily been a horror, having said that, this is hardly an R rated film. This is more PG, anyways, Ruby decides to take a walk outside. Mostly shot during one night, Ruby and Sam embark on a journey that covers the footsteps of the same night the tragedy occurred. From a dance hall to finding a dead bird under a rock seems something like witchcraft and we watch Sam stunned at the turns of the night. Especially when they decide to play a word game like Sam and Silvy, deceased girlfriend, would and repeat the same words. Coincidence? You can’t help but feel for Sam. He’s a man who decided to not have reaction and hold back his feelings for he some what blames the death on himself. We want him to love again, we want him to break out of the unemotional deadlock he carries.
Guy Pearce and Helena Bonham Carter have great chemistry together. Helena is very lively and talkative, while Guy is more restraint and cold. There are some nice conversations to listen to that are accompanied by some good chuckles. The flashback sequences to Sam’s younger days flow nicely with the movie and help explain the story as it unfolds. There are definitely deep themes flowing through the film and are not hard to miss. Ultimately, it’s about a man who must dare to relive his past and only then he is set free. A beautiful movie but something melancholy lingers over the whole thing. Recommended for a slow day or for something to think about.
 “If moths are attracted to the light, why don’t they come out in the day?”
” …guess in the day, light comes to them.”

It Follows (2014) – IMDb

via It Follows (2014) – IMDb.

Having heard about this movie last year gave me interest. I didn’t know anything about the movie and I kept it that way; I just knew I had to see it. Come 2015 and it’s granted a wide theatrical release. My moment has come, so I grab a few dollars and head over to my nearest theater where it was about half full (at the time everyone was watching Furious 7). The movie will make a larger effect once it hits home, but probably not so well in theaters. Director David Robert Mitchell has quite a movie on his hands, one that will disturb and terrorize the viewer.
It Follows begins with an anonymous teenager who is in the middle of being ‘followed’. She rushes to her car and makes it to the beach. She sits, waiting in the headlights on the shore expecting her follower to appear at any moment. Next scene she’s all mangled up which shocks the viewer and lets you know what you’re in for. That scene is quite disturbing, but doesn’t end there. The movie has more to offer. The story is about a young girl, Jay, who goes out with this guy, who her friends approve of. We eventually figure out the mysterious stud’s motive: he wants sex. But sex holds a darker secret, he wants to pass on an evil entity so It will stop following him. Douche. He does explain to our misfortunate protagonist that all she has to do is have sex with someone else and pass it onto the next guy. Jay is cute though so it should be easy right? It comes with a catch, you can still see the entity but once it gets a hold of it’s victim and kills them, it will start going back down the line of the previous victims to whoever started the whole thing.
Now, anytime It is present, those are the moments you feel the terror and despair. It’s in it’s presence, the slow but dedicated walk to it’s target like it’s confident it will get you, and it will torment and kill you. The entity takes many forms, strangers or close acquaintances, and not always is it the center of the frame. Sometimes you can catch it walking in the background, still making it’s steady pace, but when the entity is in focus, terror reigns. That is one thing I love about this film is that Mitchell directs every scene as it is. Like when the entity breaks through the kitchen window and walks toward Jay…just disturbing. I felt her fear. There is something artful about It Follows and I like it.  The scares are slowly built up and the jumps come fast.
The film would be much less if it wasn’t for the music. The music is like John Carpenter and 80s synthesizers which gives the movie a creepy vibe. Like the sizzling scare factor, the acting is restraint, only when you are involved in the terror sequences is when the acting begins to jump up. Many sequences also seem random, so there’s a feeling of chilling vulnerability.
I read a review saying the girl with the glasses, Yara, was unneeded, come to think of it, she really didn’t do much. Especially at the end when the action picks up and her leg gets shot. Great now you’re fighting something you can’t see with a limp. I did have some other problems with a couple parts. ( no real spoilers) When Paul uses a chair to hit the entity he does hit it and It throws him out of the way, or when he shoots It in the head and blood fills the pool – is this ‘entity’ supposed to have some kind of invisible body? Also, some scenes felt like they didn’t need to be there or dragged for a bit. There’s a sum of audience out there that don’t like slow movies and this has a couple of slow pace moments. I’m not bothered by slowness, cause I kinda am, but this is just a fore warning.
To be honest, I don’t like the buzz around the movie saying “It Follows is the scariest movie in a decade”. First of all, calm down, this movie had some really good bits and also subtle, but I wouldn’t hail it as the best. I think it’s better then many teen screams that have come out but this feels a little more adult oriented. I say give it some time, let the film sink into the American horror backdrop fabric, step back and see it for what it is. In time, I do think It Follows could be a cult classic. It does, however, deliver the terror and shock. It’s up there with Teeth and Contracted and in a way, is better than it’s sexual horror cousins.
All in all, this is a good movie. The entertainment is there and sure to satisfy your thirst for a scare. I’m wondering if there will be a sequel, just curious where it would go. Not saying it’s a necessity though, It Follows can hold it’s own. I recommend this for horror fans and paranoid people. *evil laugh*