Sound of Metal (2019)

Sound of Metal – IMDB

Sound of Metal (2019) di Darius Marder - Recensione | Quinlan.it

It terrifies me to lose one of my senses. Films like Sound of Metal truly leaves a lasting impression on you, making you re-appreciate what you have not lost. I thank all of those involved. There are a couple family members in my family that are deaf and it pops in my mind every now and then what if I were deaf and had to read subtitles for everything? What if I had to place my hand on a speaker to hear music? Or how will I wake in the morning to my alarm?

Placing myself into shoes without hearing would cause a lot of shock to me. Perhaps a similar reaction to what was displayed by Academy Award Nominated Riz Ahmed as Ruben. He was full of shock and denial from the loss of his hearing. In the midst of a tour for the metal head duo to rapidly losing hearing is a scary thing to behold. For living like a gypsy in an RV with his one and only, Lou, I wanted the best for him, to pull through and make it big somehow. Ruben was looking for a way to reverse the symptoms and take back his old life. Anything was better than living as a drummer who couldn’t hear his own beats. He was determined to find every way imaginable to fix the lack of sound hitting his ear drum. It’s not easy though and there are troubles with finding acceptance. This story is about Ruben finding his peace. And once it is lost, is sound really worth getting back? If by means you force something unnatural to a natural occurrence in life. This could only distort and fragment what you thought you truly wanted. Going back to the life you knew is a dangerous game, especially thinking picking up where you left off will be a cinch. But life rolls on and holding on could be an addiction.

Ruben goes through a spiritual, not a religious, experience when church bells ring to a sound of metal. Serenity is held in absolute silence. And some can not experience that let alone they sacrifice a moment for soothing silence through the ear canal. It is this experience that brings Ruben to complete solace and understanding. To finally sit, no more fighting to the change brought into his life, and so welcomes a new future. A fully new appreciation to the offers of life. Life can still be beautiful. It’s up to how you’re willing to drum along. Rock on.

Her (2013)

Her (2013) – IMDB

Image result for her film

An overwhelming feeling of love. Soft colors stitched into every frame like a quilted labor of love wrapping you with indefinite warmth. Her is an honest portrayal of an emotionally isolated man who finds solace in a computer programming software called OS. In the midst of a divorce, Theodore is having trouble with the confrontational reality of relationships. Promiscuous late night chats with strangers for a quick fix turn awkward and leave a hole Theodore so long desires to be filled. With a turn of chance, he meets a highly-intelligent OS aptly named Samantha. Her sultry voice is soothing to the ear, having me fall in love already.

What makes Her so intense is this finding of love and the excitement once we have found it; the passerby’s momentary interaction in life but seems they can’t fulfill the selfish needs and wants of our physical human box. Those close to us and keep at a distance perhaps of the fear of realizing how real it could be – or if it’s what we really want, and if it was, how it would hurt losing if we were so able to obtain it. Theodore finds ease with his computer counterpart. Samantha becomes this real person we begin to feel thanks to Spike Jonze’s honest and sensible writing. The two bond. Theodore loves the way Samantha brings this new excitement of life and curiosity to his personal life. His loneliness is conquered. Their pillow talks are free and full of humility. His walks, gratified by the pleasure of her voice in his ear and humorous point of views.

With videogames becoming more interactive and setting a broader detachment of this reality, only making things easier for Theodore to form an attachment with a computer. Both put in effort for their relationship, and to great lengths within their capabilities. From acquiring a body to a thing as little as a safety pin. An idea so ridiculous if made fifty years ago. That would just be scandalous and oppose the social norm. But now, Her shows the potential of what is to come and also the boundless form of love. Virtual reality is just another medium love will pour in to. However, everything is brief. We are momentary and encounter our own personal evolution. It’s all up to how you want to do it.

I love the fact you only know the setting is in the near future without any specific dates, and the location appears to have a vague but collective fingerprint. And the high waisted clothing is like a knock off brand of 1950s nostalgia. With Theodore usually sporting a vivid red shirt displaying his vulnerable and sensible side. The music is dreamy and creates an ambience that compliments the diverse color palette, making the viewing a soft clutch of emotions. Her leaves you feeling blanketed and ready for spooning after a heavy fight.

Special mention to the coolest elevator.

Heart and Souls (1993)

Heart and Souls (1993) – IMDB

Rent Heart and Souls (1993) on DVD and Blu-ray - DVD Netflix

Knowing if I were to browse the various mediums of movie streaming, half hour would float by, and I would impulsively hit play to preserve the time I had left in my life. (God forbid I’d be a wondering soul looking for a movie to watch.) Fumbling through my personal collection, I notice two copied movies that have been neglected, trapped in their own individual paper envelopes. One being We’re the Millers and the other titled Heart and Souls. Already had I taken a trip with the Miller’s to score some pot, I went with the latter for not knowing much about it and basically because I haven’t seen it.

So, let’s talk about Heart and Souls. In the most effortless way of describing the story, a man is followed by four ghosts, souls, what-have-you. He is their link to accomplishing the four lost souls’ tasks. Being thirty years later, there have been number of movies like this. Rom-coms, ghostly-comedic-boohoos that have a focus on the dead’s transfiguration or the Man upstairs waving his hand for those in need of a second chance. Down to Earth and Ghost Town come to mind. Interesting to think why this theme is so common. Perhaps we’re not ready to let go. There’s a fear among us where we need closure, can’t leave any loose threads. For those we love or acts we seem to never fully see through.

The tunes featured in this feature blends a feeling of 50’s and feeling comfortably settled within the domain of the 90’s. You have the doo-wops complimenting the traditional 90’s violin-feel-good that you’d expect in a heart warming motion picture that represents the time period all to well. I will say now and may say again, 1990’s movies are the feel good, most wholesome of a generation. Big claim, I know. Considering the full spectrum of a decade, this is the most consistent. Special mention when the group fancies themselves into their own doo-wop of “Walk Like a Man”.

As for stand outs, they all work with one another. Some play harder in the presence of the story, however they all take equal share as the movie progresses. Despite the predictability, Heart and Souls is a fun ride we become invested in to solve the spirits’ last request; as one departs after the next we want these marooned spirits to fulfill their last wishes. Some are more expectant than others, but in the end, you can’t go wrong with a little wholesomeness drizzled with some sap.

Heart and Souls is a charming movie, perfected for the rainy Sunday afternoon. Whether we’re searching for the comfort of unsaid words with loved ones or simply the enjoyment of the afterlife presenting a humorous perspective of our physical lives, Heart and Souls safely delivers what it’s set out to do. With souls having an inner body experience with Robert Downey Jr. and some cheesiness along the way, this turns out to be a heartwarming movie about being with those you love. What else do you expect from a flick from 1993?

Bad Company (1972)

Bad Company (1972) – IMDB

Bad Company (1972 film) - Wikipedia

For a 90 minute movie Bad Company ended too soon. Just as I’m invested in the relationship of the two leads, the film ends. And it is a good ending. This film trotted by without recognition. Makes you wonder why it isn’t as big as other western epics. I reckon it would be the run time, give this an extra 30 minutes, you got yourself a fuller story expanding beyond the prairies. I recommend blowing the dust off this ol’ gem if you like journies without an end, the point of boy to man, and moseying westerns.

Bad Company is an American movie. One of the most American movies I have seen. It renders my imagination what the U. S. of A. forefathers were doing. Serving the blue coats. Gray coats. Living off the land. Contemporary mentalities. Interesting to think what it was like during this historical chapter. Many changes were happening: natives were being forced off their land; immigrants were trying to make a living in the new world; slavery and runaways; then the civil war. The youth who were able bodied were being drafted into serving during the civil war. Some got away, looking for a freer world.

Bad Company focuses on a hand full of youth who decide to run from an ever changing world and its challenges. While escaping one reality they are found with the pleasures and tribulations of another. Freedom was sought after by everyone during this time and to this youthful lot, freedom was riding horseback among the prairies against the wind, away from law and a call to arms. The nature of the story is very human. Considering what you have learned, your strengths, our differences, and how far we’re willing to go to trust each other. Some themes spoken here and ideas are still relevant today.

It’s like the film holds a frame up in time, capturing what it’s like before America became fifty states. The music even fits the time period, with a classic piano sounds contemporary for the time as it cascades through your speakers (sounds almost like Snoopy is going to exit his dog hut). Bad Company just feels real. In the way it handles consequences, youth curiosity and the coming of age. The sequence of events that lead to the end wrap up very nicely. I carry only my imagination on how our leads continue their journey because I wasn’t ready for it to be over yet.

Little Nicky (2000)

Little Nicky (2000) – IMDB

Little Nicky on Apple TV

Eh, not the worst Adam Sandler movie, I liked it, but tries a little too hard. Little Nicky has all your favorite pals here from Sandler’s cinematic family we’ve come accustomed to, even some unforgettable cameos. Devilish gags poking it’s harmless fork at heaven and hell. Not all jokes land however, they run a little too long like Little Nicky’s shoveled face and voice for the entire flick or just some jokes that sizzles out and is just not that funny. With that said, the premise of Satan’s son being sent to capture in a flask two of his brothers and bring them back to hell is fun enough to watch along with the metal-head, masochistic duo, the roommate, and the dog. In addition, some pleasant surprise of cameos.

The romance subplot is nearly forgettable between our repressed, devil spawn and an earthling. It’s uninteresting and kind of distracts from the story, however it shows Lil’ Nicky’s more sensible side (if he didn’t seem sensitive enough already). Still, Sandler shares screen time with yet another beauty and makes for a casual date night flick even if it is underused. It’s pretty much just “there”.

Seeing this was a box office failure, I can tell they put a lot of money into the music, special effects, sets, and including cameos. The special effects shows it’s time for sure, but most money was wasted on the music. They may use nearly five seconds of a song before they cut it for various reasons. For example one scene starts with Foo Fighter’s The Pretender, cuts away to something funny, then begins Pardon Me by Incubus, which quickly burns out. No song here is played along enough to create a feeling, a jam, or entertaining quality to enjoy. I wish they chose a few songs opposed to many and hear them play out respectively.

For fans of Adam Sandler and co, Little Nicky is still an entertaining movie that isn’t the best but is unique in it’s premise compared to Sandler’s other creations. Some gags are better than others like when Nicky is forced against his will and gives a lady the finger and says remorsefully “I’m Sorry”. Or when the Gatekeeper has a bit of naughty time with his hairy friend is wierdly funny. Also, there’s a beloved Chris Farley reference at the end which is funny on multiple levels that made my tummy tickle (God rest his lively soul). I’d likely rewatch flicks like Billy Madison or Happy Gilmore compared to this but still, not bad for casual viewing.

One Cut of the Dead (2017)

One Cut of the Dead (2017) – IMDB

One Cut of the Dead - PosterSpy

A very fresh take on a tried and heavily explored genre. One Cut of the Dead doesn’t just impress but enlightens us there is more to offer in this addition to the ever-hungry zombie filmography.

The plot is a simple one: a director wants to shoot a low budget zombie movie when real zombies appear on the scene. All fashionably done in one cheesy cut. I’m a modest man who begs you to stay past the thirty minute mark and endure the shabby introduction. One Cut of the Dead is one of the most rewarding movie experiences I’ve had. Sitting there with a slight grin on my face as the absurdity unfolded. The movie is funny, self aware, heartwarming, and creative. You can tell it was handled with care and from people who loves not only the genre, but movies in general. I can only imagine the crew having an enjoyable time off screen.

One-Cut-of-the-Dead | The Kim Newman Web Site

This one took me by surprise. Not at all what I was expecting and very glad I watched it. One of those movies you’d be hard pressed to search for. The last act is so humorous it gives a whole new meaning on a second viewing. I’m saying this with the little knowledge I had before going in, knowing only the straight forward synopsis. Take what you will from my words but have your own expectations. It’s a good time. One Cut of the Dead is a fresh and original take away from the mouth watering limpers that crowd our screen. POM!

Special note: It took 2 days and 6 takes to get the perfect cut and the film took $25,000 to be made!

Turbo (2013)

Turbo (2013) – IMDB

I originally wrote this off as any other family movie to be released at the time: a filler to occupy time till something better comes along. What is interesting about a snail that goes fast? Sounds like a topic of conversion from the minds of stoners sitting poolside after a day of rain, watching slugs traverse aimlessly among the wet concrete. Well, it wasn’t until a few nights ago a mood struck me for something fun and I had to watch it.

Turbo opens up with your expected slug jokes and an introduction to the slow critters’ mundane but organized life within a homely garden. Which was fully realized and inventive, reminiscent of PIXAR’s A Bug’s Life in how they work together and function within an oversized realty of vegetation. One anti-salt mollusk has a dream of his own outside the limits of the adjacent sidewalk. And it doesn’t involve following in uniform with the rest of the gastropods, fiending for the next tomato or avoid being plucked by the next crow. This little guy wants to RACE. Be fast like his Italian race icon, Guy Gagne. Our little dreamer, Turbo, wants to reach past his limits, not be prisoned by his limited capacities.

Not without the help of a friendly substance called NOS.

The message of the movie is clear and not muddied by presentation. Challenge yourself to new abilities, reach new heights, but also know what is realistic and imaginary. If you have a dream, go for it, even if someone doesn’t believe in you. And Turbo does all this without being preachy. I wonder if this includes consuming substances to transcend your limitations and enhance your physical capabilities? Maybe I’m digging too much… Crawling forward, it’s rather entertaining and enjoyable to watch the absurdity of a snail racer and taco man team up to win the Indy 500.

A small mention to the voice acting which isn’t just an all star cast selling the movie, they all fit respectively, even Ken Jeong who made me laugh more than once.

I’m happy to find the music is not slimed by today’s music but brings back the old making Turbo feel right at home and more appealing.

Turbo was a nice little movie I could watch again. The message is important without it being overstated about reaching your goals and going past the limit. A fun movie I think will slip by as more movies race to the screen. Not a necessary watch but an entertaining one especially if this is what you’re looking for.

Overlord (2018)

Overlord (2018) – IMDB

Overlord is an interesting hybrid of war and horror genres. It’s nothing entirely new, the idea of Nazi experiments being hellishly realized. Call of Duty Zombies and Frankenstein’s Army have toyed with this idea among others. Can’t say any are classics with possibly Dead Snow being close candidate. (COD Zombie could be great if transitioned from video game to the moving pictures screen. Even better, Wolfenstein. Yes, please.)

The first 10-15 minutes when the troops had to jump from the burning, airborne plane soaked my attention. It was intense and had a great start for our heroes’ journey to destroy a tower. I forgot I was watching a zombie horror until an unnatural discovery in the woods reminded me it was not just a WWII film. I’m not going to say it was a problem, the tonal shifts, movies have accomplished this before, thanks From Dusk Till Dawn. Overlord feels more grounded and has a sense of a realistic approach to war. Not what I was expecting, thinking I was in for something that had some camp/less seriousness or a more self aware identity; a more traditional B-movie. Meaning they played more with the topic of the movie, experimented more with the “Thousand Year Reich” idea. Like don’t just show me how nasty Nazis were, show how nasty their creations were; guess I’m saying I was looking for various types of monstrosities on screen. But what is on screen is fun, that is, once we clock in enough time to see it. It does feel like it took awhile to get to why we all pressed play in the first place. Even then I’m not sure if the payload was satisfactory. With that said, and without spoiling, there is a moment when a neck is dislocated and thrust backyards. Very unexpected and satisfyingly grotesque!

The french madame who befriends our fellow soldiers is a real BADASS. She is confronted by a pesky annoyance late in the movie and she handles it like an exterminator fed up with eradicating vermin.

Some moments like the one above impressed me, others left me bored or wondered the characters’ decisions if they actually had to go that route.

To sum up, I had mixed feelings about the latest trek down Hitler’s dream of his invincible army of darkness. Don’t expect this to be anything like Kung Fury or any of the above mentioned titles, this outing is a little more serious in tone. Perhaps I will enjoy the movie more a second time viewing sometime in the future knowing now what happens. Maybe Overlord will gain a cult following, time will tell.

From Dusk Till Dawn (1996)

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From Dusk Till Dawn still entertains me today. Over a decade later, I will come back every so often to this movie for it’s originality, abrupt twist, and George Clooney’s sheer acting ability. Before his peak with Kill Bill, Quentin Tarantino was at his best in the 90’s delivering fresh aura to cinema along with his indie buddy filmmakers wave. His crime caper vibe and cheesy hamburger dialogue married perfectly with friend Robert Rodriguez’s cool, rock and roll direction. These two combined a stylish crime nightmare that blended genres into one satisfying bite.

Straight off the stake this may not be for everyone. Not exactly a happy movie but an absolute brutal thrill ride. An entertaining punch to the chest that dishes out unexpected laughs and shock. The biggest diss I can find  the audience dislikes so much is the twist (and probably the gore). By the cover you can guess this isn’t your normal “escape the authority, brother, we just robbed a bank” type of flick. This I personally loved. My favorite bit of the movie is when it snaps your neck at a 180 degree turn and ship-shapes into a mythical monster. Some say this is when the movie loses it’s grasp. I say nay. From Dusk Till Dawn never loses sight of what it wants to be. From A to B the goal is always prominent.

Who doesn’t like a good heist film? Well, this is the aftermath of a bank robbery and you never get to see it like Tarantino’s classic Reservoir Dogs. However, you don’t have characters named after the colors of the rainbow.  From Dusk Till Dawn follows the Gecko brothers who must take the cash across the Mexican border without being caught and meet at the Titty Twister, leaving trail of fire and dead carcasses. Seth (Clooney) is the oldest brother with a temper but keeps it under a cool veil. This is a guy who has a book, a cool book, and you want to be in his cool book. This role here jumped Clooney’s stardom because of his on screen presence and cool demeanor. Although, I think Seth is almost as dimwitted as his younger brother, Richard, leaving him in a room with a woman alone. Richard (Tarantino) is a psychotic sex offender who has a knack of grinding his teeth. He is perfect in this role for being simultaneously weird and awkward. The two leads play well, but Tarantino is surpassed by Clooney’s espresso experience in acting. You can see this alone, clear as day, when Clooney forces Tarantino up against the wall in anger, skewing Tarantino’s glasses and Clooney keeps him from fixing them. Tarantino is not prepared for this and you can see his cowering bewilderment. It’s quite impressive to see. Speaking of impressive, Salma Hayek is a goddess. A sexy introduction for her as she steps on stage with a boa wrapping her seductive body and the music serenading and accenting her curves. Even this experienced actress leaves Tarantino with a foot in his mouth.

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Everyone does there part. From the young Juliette Lewis as a daughter of faith to Harvey Keitel, a father who has lost faith. And lets not forget those two guys we randomly meet and start rooting for at the Titty Twister. Tom Savini as Sex Machine who fancies a whip and a secret weapon in the formation of his privates. Then we have Fred Williams as Frost who has an endless supply of cigars and talks about ‘Nam back in ’72.

Acting wouldn’t be without it’s writing and Tarantino has a script that not only makes us laugh but is cheesy. Like when Jacob (Keitel) is talking about his spirituality with his kids or when Seth is discussing how his .45 will answer questions. Tarantino’s writing can easily be put into a 24 episode anime or it’s own manga series. At times it’s delectable but sometimes it’s nonsensical and dare I say somewhat juvenile; however, his odd ideas ‘trademark cliches sticks out like a stylish smile with vampire fangs.

From Dusk Till Dawn will always be a movie I come back to, no matter how long. From the opening bad-a** credits to the closing. The last 45 minutes when the twist manifests itself is a total switch up and pushes the question “What if?” in cinema. A great throwback to grindhouse flicks and a great film in general.

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***Spoiler***

On a side note, despite rather two lackluster sequels, my latest viewing made me realize this original could have a proper direct sequel. One focused on Lewis’s character, Kate. Her life takes a turn as a monster hunter after the events of this film. She eventually goes out to seek Seth for help, whether or not he helps or not, I think there is a sequel here. A monster hunt sequel, more than vampires. From Dusk Till Dawn can venture into other mythological territory with different storylines than stay with one tone. Then again, maybe that’s what makes this film so unique as a standalone.

Alien: Covenant (2017)

Alien: Covenant – IMDB

 

alien Covenant

 

As a fan of this beloved series, I read articles, watched interviews, and looked out for the anticipated teaser trailer released last Christmas. My hopes couldn’t have been higher. A return to the dark and dangerous universe of Alien. Prometheus opened a whole new world for us to explore and upon initial viewing I loved it, then hated it, then as time passed it grew on me and I have accepted it for being a stand alone film and an unique entry in to the franchise. With that being said, there was a lot to be expected from Ridley Scott taking yet another lead in the xenomorph franchise. And then finally, FINALLY. A full red band trailer was released. I watched. As the trailer for Alien: Covenant burst from its organic egg shell, revealing it’s gooey innards. I couldn’t help but be exposed to the spoilers on screen as one colonist after another were dying showcasing their deaths to entice and scare viewers demanding it’s attention. AND THEN, my questioning began, “Is this really going to be good, it looks like Alien? Should I lower my bar of expectations? Is this the sequel we deserve?”

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I see nothing but death.

I believe Ridley Scott listened to those shouting and screaming Alien fans and their hatred for Prometheus without consideration of those who spoke softly for their love of a film that took a risk in a new direction. Scott himself wanted to create something new that centered around creation and a story that provoked the thought of origins for life. And not just any life, but birth of the hissing xenomorph. I understood Prometheus was set in the same universe but placed far before the original. And it was this movie that many were apparently down right upset about. Movies age like wine, many show their true colors and morph into something flavorful later on down the road. The tick with this film is Scott took a chunk of Alien and a spice of Prometheus. When instead it should have been vice versa. It felt like he wanted to please the audience and new comers with an over cooked monster and playing it safe. When, in fact, I would have chosen the risky route. Continue Prometheus mission.

This is the biggest fault of the film. Alien: Covenant wanted to spring into an Alien movie so badly it left many ingredients that made it’s predecessor stand alone. There’s reviews that could go on about what Prometheus did wrong and what not. Yea, yea, we know. A great sequel would add to the first’s mystery, answer questions and then some. Frankly, the sequel does not. You want to know if Shaw gets any of her questions answered? Who cares. Want to know any more about the Engineers? Nah, irrelevant, they’re just a plot device. Alien: Covenant moves forward in a storm abandoning almost everything behind. Leaving a mess of a film.

There are good points in the movie and I will say it definitely is not a waste of time. By far my favorite is watching the androids, Walter and David, both played by the magnificent Michael Fassbender, interact with one another. Their conversations and differences make some compelling dialogue. They are by far the best part of the film. David is becoming more of a solid character in the franchise as Ripley. It’s exciting to think about. **Spoiler** Seeing as David’s relationship with Weyland is submissive in the the shadow of his creator, David holds the ability to create, and to create he does. The perfect being. And this is justified (if not hard to swallow) in the beginning  when Weyland talks to David on his initial creation. This bit I loved. Discussion of art, creation, and Gods. It is what is expected of a Prometheus sequel.

Androids were not the only ones who were good, those looking for a more serious role for Danny Mcbride actually has a good standing here. It was a pleasure to see him on screen and provide a drop of comical relief and play a driven husband to the end. A part I was looking forward to. And Katherine Waterston who played the down beat Daniels. She did good but nothing to stand out or even complain. She is in grief of losing her husband so her character hardly has an uplifting moment. With that to say the movie as a whole is quite atmospheric and despairing.

In relation to the other characters I really wish they were more fleshed out. Especially Oram and Karine. This couple could of had some deep conversations. Oram (Billy Crudup) could have used a lot more text and background on why and how he is religious. I think personally he is the most interesting character besides David. With Shaw out of the picture, Oram could have real conversations with David. If not him, Daniels or Tennessee about the future humankind’s path is set on or the Engineers’ purpose. Potential once again lost. Oram is just another guy with faith providing no meaning or value to his own asset to the story of origins. Like the trailer,  Alien: Covenant provided  meaningless scares and predictable deaths. There’s no exaggeration. The deaths are predictable, good acting, but predictable, signing on a new cast dying for a paycheck.

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Some effects I enjoyed but couldn’t help but feel it was a slight downgrade from Prometheus. Times I felt practical effects could have been used but weren’t. i.e. animatronics. The aliens themselves are creepy. Mainly the new one, the neomorph. The original isn’t welcomed like an old friend coming home. Not that it should as it’s history in terrorizing the screen for the past 30 years. We all know what you’re capable of alien, step aside. The neomorph is here and shows it’s origins but where is it on the scale of the Engineers’ existence? Where does it stand? We still know little about the goo from the previous movie. Why couldn’t we just get proper sequel instead of an Alien prequel? You are draining this series dry, Ridley Scott.

The music itself is terrific. With moments calling back to Alien and Prometheus scores gives a hybrid vibe of the universe that’s currently existing and was happy to hear. The additional music was also good, emanating a dark ominous howl. Creating a subtle hint of intense terror that’s not exploding in your face.

It’s interesting to see where the franchise is going.  Not to be sexist but I was hoping not another heroine in this picture. But it’s not all we got. And I hope she isn’t the only one. We’ve had a Ripley. Please, present something new. And try not to kill everyone in the opening credits, so learn from the mistakes. If by chance Scott listens and isn’t a crazed old man looking for a come back and says “F***  it this is how the story is gonna be” we can fix this average film into what the franchise needs: back to answering and asking questions Prometheus introduced. We’ve had our Alien films, bring us something else. Tease us with Alien, give us Engineers and a space to explore with new findings. Our minds are bigger than this. What is life without expanding our boundaries? It’ll be hard to trek back around this film and find our footing once again. Maybe in time this will grow but who knows. We still have stupid characters and a lazy, messy plot that wants to entertain with the occasional questionable dialogue.

I saw a lot of promise when John Logan was attached (creator/writer of Penny Dreadful, writer of Gladiator). We’ll see where this takes us. Scott proclaims at this moment that the series is pinned for an additional three movies that lead up to the original Alien. Anything could happen. Am I worried? At this point, yea, I am. A Prometheus like sequel will be welcomed. Scott needs to figure out his vision for the future of the franchise. Do I still look forward to the next entry? Hell yea, I do. However, we need innovative ideas. It’s time for the reigns to be passed on Ridley Scott. If you need attention, get a dog.

In the end, I liked the movie. Since Aliens no Alien movie has been perfect. Close calls but no perfect specimen. If Scott plans to release these next few additions then he needs to find that vision and stick to it. Pleasing the audience with a cooked monster will do nothing. Possibly the goriest entry along with Alien Resurrection, we need more than shock and fright. Story much? Missing the chemistry David and Shaw had we can only look forward now after a grim experimentation. One can hope for the director’s cut. As I and fans alike look for the missing parts not already integrated into a film we anticipated for.

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