Alien: Covenant (2017)

Alien: Covenant – IMDB

 

alien Covenant

 

As a fan of this beloved series, I read articles, watched interviews, and looked out for the anticipated teaser trailer released last Christmas. My hopes couldn’t have been higher. A return to the dark and dangerous universe of Alien. Prometheus opened a whole new world for us to explore and upon initial viewing I loved it, then hated it, then as time passed it grew on me and I have accepted it for being a stand alone film and an unique entry in to the franchise. With that being said, there was a lot to be expected from Ridley Scott taking yet another lead in the xenomorph franchise. And then finally, FINALLY. A full red band trailer was released. I watched. As the trailer for Alien: Covenant burst from its organic egg shell, revealing it’s gooey innards. I couldn’t help but be exposed to the spoilers on screen as one colonist after another were dying showcasing their deaths to entice and scare viewers demanding it’s attention. AND THEN, my questioning began, “Is this really going to be good, it looks like Alien? Should I lower my bar of expectations? Is this the sequel we deserve?”

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I see nothing but death.

I believe Ridley Scott listened to those shouting and screaming Alien fans and their hatred for Prometheus without consideration of those who spoke softly for their love of a film that took a risk in a new direction. Scott himself wanted to create something new that centered around creation and a story that provoked the thought of origins for life. And not just any life, but birth of the hissing xenomorph. I understood Prometheus was set in the same universe but placed far before the original. And it was this movie that many were apparently down right upset about. Movies age like wine, many show their true colors and morph into something flavorful later on down the road. The tick with this film is Scott took a chunk of Alien and a spice of Prometheus. When instead it should have been vice versa. It felt like he wanted to please the audience and new comers with an over cooked monster and playing it safe. When, in fact, I would have chosen the risky route. Continue Prometheus mission.

This is the biggest fault of the film. Alien: Covenant wanted to spring into an Alien movie so badly it left many ingredients that made it’s predecessor stand alone. There’s reviews that could go on about what Prometheus did wrong and what not. Yea, yea, we know. A great sequel would add to the first’s mystery, answer questions and then some. Frankly, the sequel does not. You want to know if Shaw gets any of her questions answered? Who cares. Want to know any more about the Engineers? Nah, irrelevant, they’re just a plot device. Alien: Covenant moves forward in a storm abandoning almost everything behind. Leaving a mess of a film.

There are good points in the movie and I will say it definitely is not a waste of time. By far my favorite is watching the androids, Walter and David, both played by the magnificent Michael Fassbender, interact with one another. Their conversations and differences make some compelling dialogue. They are by far the best part of the film. David is becoming more of a solid character in the franchise as Ripley. It’s exciting to think about. **Spoiler** Seeing as David’s relationship with Weyland is submissive in the the shadow of his creator, David holds the ability to create, and to create he does. The perfect being. And this is justified (if not hard to swallow) in the beginning  when Weyland talks to David on his initial creation. This bit I loved. Discussion of art, creation, and Gods. It is what is expected of a Prometheus sequel.

Androids were not the only ones who were good, those looking for a more serious role for Danny Mcbride actually has a good standing here. It was a pleasure to see him on screen and provide a drop of comical relief and play a driven husband to the end. A part I was looking forward to. And Katherine Waterston who played the down beat Daniels. She did good but nothing to stand out or even complain. She is in grief of losing her husband so her character hardly has an uplifting moment. With that to say the movie as a whole is quite atmospheric and despairing.

In relation to the other characters I really wish they were more fleshed out. Especially Oram and Karine. This couple could of had some deep conversations. Oram (Billy Crudup) could have used a lot more text and background on why and how he is religious. I think personally he is the most interesting character besides David. With Shaw out of the picture, Oram could have real conversations with David. If not him, Daniels or Tennessee about the future humankind’s path is set on or the Engineers’ purpose. Potential once again lost. Oram is just another guy with faith providing no meaning or value to his own asset to the story of origins. Like the trailer,  Alien: Covenant provided  meaningless scares and predictable deaths. There’s no exaggeration. The deaths are predictable, good acting, but predictable, signing on a new cast dying for a paycheck.

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Some effects I enjoyed but couldn’t help but feel it was a slight downgrade from Prometheus. Times I felt practical effects could have been used but weren’t. i.e. animatronics. The aliens themselves are creepy. Mainly the new one, the neomorph. The original isn’t welcomed like an old friend coming home. Not that it should as it’s history in terrorizing the screen for the past 30 years. We all know what you’re capable of alien, step aside. The neomorph is here and shows it’s origins but where is it on the scale of the Engineers’ existence? Where does it stand? We still know little about the goo from the previous movie. Why couldn’t we just get proper sequel instead of an Alien prequel? You are draining this series dry, Ridley Scott.

The music itself is terrific. With moments calling back to Alien and Prometheus scores gives a hybrid vibe of the universe that’s currently existing and was happy to hear. The additional music was also good, emanating a dark ominous howl. Creating a subtle hint of intense terror that’s not exploding in your face.

It’s interesting to see where the franchise is going.  Not to be sexist but I was hoping not another heroine in this picture. But it’s not all we got. And I hope she isn’t the only one. We’ve had a Ripley. Please, present something new. And try not to kill everyone in the opening credits, so learn from the mistakes. If by chance Scott listens and isn’t a crazed old man looking for a come back and says “F***  it this is how the story is gonna be” we can fix this average film into what the franchise needs: back to answering and asking questions Prometheus introduced. We’ve had our Alien films, bring us something else. Tease us with Alien, give us Engineers and a space to explore with new findings. Our minds are bigger than this. What is life without expanding our boundaries? It’ll be hard to trek back around this film and find our footing once again. Maybe in time this will grow but who knows. We still have stupid characters and a lazy, messy plot that wants to entertain with the occasional questionable dialogue.

I saw a lot of promise when Michael Green was attached (creator/writer of Penny Dreadful, writer of Gladiator). We’ll see where this takes us. Scott proclaims at this moment that the series is pinned for an additional three movies that lead up to the original Alien. Anything could happen. Am I worried? At this point, yea, I am. A Prometheus like sequel will be welcomed. Scott needs to figure out his vision for the future of the franchise. Do I still look forward to the next entry? Hell yea, I do. However, we need innovative ideas. It’s time for the reigns to be passed on Ridley Scott. If you need attention, get a dog.

In the end, I liked the movie. Since Aliens no Alien movie has been perfect. Close calls but no perfect specimen. If Scott plans to release these next few additions then he needs to find that vision and stick to it. Pleasing the audience with a cooked monster will do nothing. Possibly the goriest entry along with Alien Resurrection, we need more than shock and fright. Story much? Missing the chemistry David and Shaw had we can only look forward now after a grim experimentation. One can hope for the director’s cut. As I and fans alike look for the missing parts not already integrated into a film we anticipated for.

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Bargain Bin 1

With so many movies releasing every year it’s hard to keep up. A lot of time is spent on which one to watch?  Hoping you wouldn’t regret your decision after the two hours are up. You may choose one through networking because a friend told you to watch it. Or this other flick was hailed by a bunch of critics. Or perhaps you decided not to listen to anyone and watch some random movie out of the mainstream or whatever the case may be. Well, here’s someone else not to listen to: me.

I have compiled a small list that shouldn’t take up much of your time to skim through; a random selection of movies on different budgets, languages, genres, and other rubbish you may find amusing. Whether whatever weather outside, you sit on fur or leather, this is your chance to be pickey-choosey for your pleasure.

Here you go:

Hunter Prey (2010)

This small film caught me off guard. Whilst i was binge surfing on Netflix I decided to give this movie a try. I knew nothing about it and was rather impressed. A small squad is traveling with a cloaked prisoner on a distant planet when he gets loose and they must find him. Simple right? Hunter Prey is really well done for what it sets out to accomplish. Even though the soldiers’ costumes look like they were borrowed from the Clone Trooper sweat shop, it’s easy to write off for it’s still believable and the make up is also well done. Just please, do not watch the trailer. You are better off not knowing anything since the trailer somewhat ruins the twist and makes it seem more like an action movie.

PS: If you liked Enemy Mine you’d like this.

13 Assassins (2010)

I love Japanese culture and their art style. I love samurai movies even more. Takashi Miike gives himself a break from his outrageous horror/gangster films and brings us a story about thirteen samurai who are set on taking down a corrupt, evil leader. And he is evil. The film is set up in two parts basically, the first is build up. This is when Shinzaemon Shimada collects the twelve other samurai on a suicide mission and in contrary, the evil lord shows us just how evil he is. For some, the first hour may seem slow as it really lets us get to know a little bit about each character. Those who are patient, however, will be rewarded. The last hour is nothing but blood shed as the thirteen face off the many in epic fashion.

PS: I love the wide range of colors presented in every frame. Most notably when Japan’s landscape is shown. 

Session 9 (2001)

A little known horror film that came across my way through a friend. This wasn’t a movie i thought he would even like in the first place so when i watched it I was surprised that HE was the one who found it. Session 9 doesn’t need jump scares, no need for gore, just the real Danvers Mental Hospital to film in. At first, everything seems easy enough for our asbestos cleaning crew in an eerie, haunting asylum. But not everything is what it seems in this psychological horror. Hiding secrets can result in brutal fatalitie. Brad Anderson’s editing, shots, and music is what really creeps up your nerves. As well as the session tapes. There’s something about this place that will leave you feeling mental.

PS: Even though the movie isn’t widely known, those who have seen the ending and were left scratching their skull were not satisfied for it’s rather ambiguous. This is a movie worth watching with some people who are open for conversation. I, myself, loved this film for it will have you thinking for days to come.

The Fisher King (1991)

What to say about this delightful movie? I blessed myself when i purchased this without giving it a first look and  it was the one of the best decisions i ever made. It’s a story about fate and moving on from the past. When a radio DJ (Jeff Bridges) who lost his fame due to assisting a woman’s suicide, crosses paths with a looney hobo (Robin Williams) with a tragic past, becomes a comedic tale of redemption and love. Jack (Jeff) befriends the bum hoping he can help him find his true love and aid his past. All performances  are top-notch giving Robin enough room to be weird and heart warming, and letting Jeff be the down-beat cool guy. A favorite of mine from Terry Gilliam.

Kiss Kiss Bang Bang (2005)

I’m a little butt hurt this movie isn’t more well known, or to my knowledge it is not. You have a kick a** cast and amazing one liners. Scrap that, the whole script must be heard. Val Kilmer and Robert Downey Jr are perfect together, seeing that Val nearly steals the show in every scene.  Their chemistry and delivery couldn’t be any more pluperfect. The story line is a little everywhere which will take you a couple times to re-watch this. That’s not a complaint though, do yourself a favor and have fun solving this jazzed up mystery. I couldn’t recommend it enough.

PS: Still reading? Stop, i found your movie. 

Identity (2003) – IMDb

via Identity (2003) – IMDb.

It was around my 4th-5th grade year when Identity came out. Once it was released on home video my dad rented it and one night I really wanted to watch it. This was during the time when I was exploring all sorts of movies, expanding my knowledge on such great films. After watching Ghost Ship (not so great) and found it a little scary I thought I could watch anything. So late one night my father placed the movie in and before pressing play he says: “If you have any questions, save it for after the movie”. Unfortunately he fell asleep and I was left mesmerized, scared, and contemplating the whole story with questions raining in my head. I went to school the next day and heard a friend say she watched it the night before as well, I sprang into action and proclaimed “wasn’t it awesome?! What did you think?” She didn’t understand it and so she didn’t like it which baffled me. Never have I seen a movie or experienced one like this at that time in my life; this movie marked my love for psychological movies.

The story starts with one small act of an event that causes a chain reaction for several strangers to confront each other in a small, deserted motel in the middle of a storm out in the middle of nowhere. But the weird starts happening, people start dying, one by one. Tension rises with clues and twists that makes everyone a suspect making your head tumble like in the drier just to figure it out. Identity even points the finger for you, playing with your head. You will keep guessing until the very end and questioning what really is going on. Is it supernatural? A dream? Or just some trick? Some will probably figure it out beforehand but it’s fun ride none the less, since something is always going on.

John Cusack did an okay job as the limo driver, it isn’t his best work by far. Although, I’d enjoy to see him in a horror flick; he has a dark, curious presence that fits. Ray Liotta did a fine job as the cop, as well as John Hawkes as the manger of the motel from *southern accent* Mulberry.Gary Busey was convincing as the con-man and Amanda Peet’s acting felt a little forced but was good. The motel itself, though, is a dark, suspicious place. A place that you would dream about and wouldn’t want to get lost in, in it’s cold and wet, creepy atmosphere. The motel is shot beautifully by James Mangold who was enthusiastic about this moody, mystery project.

Identity is a great psychological thriller with elements of horror. It’s fun the second time round watching it, but after that the experience wears down, unless you watch it with someone with fresh eyes just to see how they take it in.

It Follows (2014) – IMDb

via It Follows (2014) – IMDb.

Having heard about this movie last year gave me interest. I didn’t know anything about the movie and I kept it that way; I just knew I had to see it. Come 2015 and it’s granted a wide theatrical release. My moment has come, so I grab a few dollars and head over to my nearest theater where it was about half full (at the time everyone was watching Furious 7). The movie will make a larger effect once it hits home, but probably not so well in theaters. Director David Robert Mitchell has quite a movie on his hands, one that will disturb and terrorize the viewer.
It Follows begins with an anonymous teenager who is in the middle of being ‘followed’. She rushes to her car and makes it to the beach. She sits, waiting in the headlights on the shore expecting her follower to appear at any moment. Next scene she’s all mangled up which shocks the viewer and lets you know what you’re in for. That scene is quite disturbing, but doesn’t end there. The movie has more to offer. The story is about a young girl, Jay, who goes out with this guy, who her friends approve of. We eventually figure out the mysterious stud’s motive: he wants sex. But sex holds a darker secret, he wants to pass on an evil entity so It will stop following him. Douche. He does explain to our misfortunate protagonist that all she has to do is have sex with someone else and pass it onto the next guy. Jay is cute though so it should be easy right? It comes with a catch, you can still see the entity but once it gets a hold of it’s victim and kills them, it will start going back down the line of the previous victims to whoever started the whole thing.
Now, anytime It is present, those are the moments you feel the terror and despair. It’s in it’s presence, the slow but dedicated walk to it’s target like it’s confident it will get you, and it will torment and kill you. The entity takes many forms, strangers or close acquaintances, and not always is it the center of the frame. Sometimes you can catch it walking in the background, still making it’s steady pace, but when the entity is in focus, terror reigns. That is one thing I love about this film is that Mitchell directs every scene as it is. Like when the entity breaks through the kitchen window and walks toward Jay…just disturbing. I felt her fear. There is something artful about It Follows and I like it.  The scares are slowly built up and the jumps come fast.
The film would be much less if it wasn’t for the music. The music is like John Carpenter and 80s synthesizers which gives the movie a creepy vibe. Like the sizzling scare factor, the acting is restraint, only when you are involved in the terror sequences is when the acting begins to jump up. Many sequences also seem random, so there’s a feeling of chilling vulnerability.
I read a review saying the girl with the glasses, Yara, was unneeded, come to think of it, she really didn’t do much. Especially at the end when the action picks up and her leg gets shot. Great now you’re fighting something you can’t see with a limp. I did have some other problems with a couple parts. ( no real spoilers) When Paul uses a chair to hit the entity he does hit it and It throws him out of the way, or when he shoots It in the head and blood fills the pool – is this ‘entity’ supposed to have some kind of invisible body? Also, some scenes felt like they didn’t need to be there or dragged for a bit. There’s a sum of audience out there that don’t like slow movies and this has a couple of slow pace moments. I’m not bothered by slowness, cause I kinda am, but this is just a fore warning.
To be honest, I don’t like the buzz around the movie saying “It Follows is the scariest movie in a decade”. First of all, calm down, this movie had some really good bits and also subtle, but I wouldn’t hail it as the best. I think it’s better then many teen screams that have come out but this feels a little more adult oriented. I say give it some time, let the film sink into the American horror backdrop fabric, step back and see it for what it is. In time, I do think It Follows could be a cult classic. It does, however, deliver the terror and shock. It’s up there with Teeth and Contracted and in a way, is better than it’s sexual horror cousins.
All in all, this is a good movie. The entertainment is there and sure to satisfy your thirst for a scare. I’m wondering if there will be a sequel, just curious where it would go. Not saying it’s a necessity though, It Follows can hold it’s own. I recommend this for horror fans and paranoid people. *evil laugh*

Cannibal Holocaust (1980) – IMDb

via Cannibal Holocaust (1980) – IMDb.

 

It has been a week since I last saw Cannibal Holocaust. Needless to say the horrific images are still buried in my brain. 35 years after it’s initial release, this ‘video nasty’ still shocks viewers and I don’t believe that will end any time soon. Few movies have left me sitting long after the credits. Few movies have left the movie swirling in my head still as I think to myself: Wow, what did I just watch? or Gee, this movie was deeply disturbing, or better, That was a profound experience. Movies like The Living and The Dead, Irreversible, and The Hunt have all left me with this. Cannibal Holocaust will leave you feeling depressed and filthy. Like a tribesman just gutted you and packed you full of mud as you are helplessly tied, then he laughs as you watch him eat the organs he tenderly took away from you.

The reviews and trailers can not prepare you for this. Much like the film crew the movie is based around. The story is centered on a young documentary crew going to the Amazon to film a native cannibal tribe. This cannibal tribe, however, is in unmarked territory. But wait! They brought a guide, so of course they will be safe… They go missing. Another small team is assembled to go search for them. This is mainly how the movie begins. You meet this crew who are on the rescue mission, then meet the tribe and find the film entangled with human bones. After they retrieve the film, they proceed to watch in horror what really happened to the documentarians. The whole structure of Cannibal Holocaust is great. It’s probably my favorite part of the movie, just watching the events unfold and learn the natives’ costumes. Once you reach the ‘film’ it’s shot like a found footage movie. Way before Blair Witch Project there was this, and must say it was handled expertly. But this is much more than a horror movie, more than an exploration in a jungle. It’s a film that explores human beings in a primitive state posed to being civilized. But who is civilized?

Weren’t we once savages? Director Ruggero Deodato makes us ponder many different subjects coursing through the film’s veins. One major controversial question is ‘did the live animals need to be slaughtered on film?’ Maybe it would have garnered more of an audience if not so. The native cannibal tribe did not accept our modern currency so instead Deodato offered them animals. These animals are killed on screen. Most notably the turtle scene, which holds up to its own grotesque rep. Turtles are one of my favorite animals and it was sad to see it butchered on screen. This is probably the worst part about the movie, which keeps you from cheering at the end when the film crew get what they deserved. Yes, the crew deserved their life-sentenced-punishment. It’s not just found in the conclusion while watching the found footage cam; where you see these young people mistreat the natives and disturb the peace. It is shown and understood when you see the rescuers being accepted as visitors; only because they expressed a much more human side and respect, like being bare naked and wearing no fear. In a way, the two storylines are parallel. If you are brave enough, and are not squirmish and can take the pain the movie does so well of inducing, you will see what I mean.

I do think the landscape could have been utilized better. Like I wanted to see more of what the land was like there, above, below, in the trees. But the movie did a good job of making you feel like dirt.  In short, Cannibal Holocaust is a masterpiece. Not just as a horror but a social commentary drama. A much disturbingly, aching, nasty, raw masterpiece, standing on its own pillars. A few things I have learned, in our civilization we are focused on violence, very similar to how this movie is portrayed. Another thing I learned from this movie is that knowledge is pain. When the Professor (part of the rescue team) shows the editors back in the states the film clips that were uncovered, the editors wanted to see more and more of what happened. They wanted to distribute the footage for money, caring little for the lives that were lost. When they came to the end, the editors insisted on watching the rest and sell it to the world to eat up. So, the Professor put it on… Afterwards the editors looked at each other and walked away with out a word. One of them calls up the studio and tells them to get rid of everything. We are left with one final question: Who are the real cannibals?

Old Boy

On my way home the other night, I ran into an old friend and got into a conversation about movies. We came to terms on getting munchies and watching one of the movies I hyped my friend into watching. The movie was called Old Boy. Fortunately, this is not the American remake with ‘The Goonies’ Josh Brolin. I’m talking about the dark, twisted original Korean flick the Americans wish they have made. Basic premise is a man named Dae su is imprisoned in a room for 15 years and does not know why. He is released and meets a cute young girl who aids him. From here, Dae su is on a search to find the man who held him captive and more importantly Why? My friend was hooked from the start, asking that big question: Why? Ha, let me tell you, it is a ride. And I wouldn’t suggest it to the faint of heart; the movie is disturbing and will stay with you for a long time. That being said, I enjoyed it. If you are looking for something different, dark, and powerful look no further.