Alien: Covenant (2017)

Alien: Covenant – IMDB

 

alien Covenant

 

As a fan of this beloved series, I read articles, watched interviews, and looked out for the anticipated teaser trailer released last Christmas. My hopes couldn’t have been higher. A return to the dark and dangerous universe of Alien. Prometheus opened a whole new world for us to explore and upon initial viewing I loved it, then hated it, then as time passed it grew on me and I have accepted it for being a stand alone film and an unique entry in to the franchise. With that being said, there was a lot to be expected from Ridley Scott taking yet another lead in the xenomorph franchise. And then finally, FINALLY. A full red band trailer was released. I watched. As the trailer for Alien: Covenant burst from its organic egg shell, revealing it’s gooey innards. I couldn’t help but be exposed to the spoilers on screen as one colonist after another were dying showcasing their deaths to entice and scare viewers demanding it’s attention. AND THEN, my questioning began, “Is this really going to be good, it looks like Alien? Should I lower my bar of expectations? Is this the sequel we deserve?”

alien--covenant-crew-174699.jpg.pagespeed.ce.SKSFLaAjdE

I see nothing but death.

I believe Ridley Scott listened to those shouting and screaming Alien fans and their hatred for Prometheus without consideration of those who spoke softly for their love of a film that took a risk in a new direction. Scott himself wanted to create something new that centered around creation and a story that provoked the thought of origins for life. And not just any life, but birth of the hissing xenomorph. I understood Prometheus was set in the same universe but placed far before the original. And it was this movie that many were apparently down right upset about. Movies age like wine, many show their true colors and morph into something flavorful later on down the road. The tick with this film is Scott took a chunk of Alien and a spice of Prometheus. When instead it should have been vice versa. It felt like he wanted to please the audience and new comers with an over cooked monster and playing it safe. When, in fact, I would have chosen the risky route. Continue Prometheus mission.

This is the biggest fault of the film. Alien: Covenant wanted to spring into an Alien movie so badly it left many ingredients that made it’s predecessor stand alone. There’s reviews that could go on about what Prometheus did wrong and what not. Yea, yea, we know. A great sequel would add to the first’s mystery, answer questions and then some. Frankly, the sequel does not. You want to know if Shaw gets any of her questions answered? Who cares. Want to know any more about the Engineers? Nah, irrelevant, they’re just a plot device. Alien: Covenant moves forward in a storm abandoning almost everything behind. Leaving a mess of a film.

There are good points in the movie and I will say it definitely is not a waste of time. By far my favorite is watching the androids, Walter and David, both played by the magnificent Michael Fassbender, interact with one another. Their conversations and differences make some compelling dialogue. They are by far the best part of the film. David is becoming more of a solid character in the franchise as Ripley. It’s exciting to think about. **Spoiler** Seeing as David’s relationship with Weyland is submissive in the the shadow of his creator, David holds the ability to create, and to create he does. The perfect being. And this is justified (if not hard to swallow) in the beginning  when Weyland talks to David on his initial creation. This bit I loved. Discussion of art, creation, and Gods. It is what is expected of a Prometheus sequel.

Androids were not the only ones who were good, those looking for a more serious role for Danny Mcbride actually has a good standing here. It was a pleasure to see him on screen and provide a drop of comical relief and play a driven husband to the end. A part I was looking forward to. And Katherine Waterston who played the down beat Daniels. She did good but nothing to stand out or even complain. She is in grief of losing her husband so her character hardly has an uplifting moment. With that to say the movie as a whole is quite atmospheric and despairing.

In relation to the other characters I really wish they were more fleshed out. Especially Oram and Karine. This couple could of had some deep conversations. Oram (Billy Crudup) could have used a lot more text and background on why and how he is religious. I think personally he is the most interesting character besides David. With Shaw out of the picture, Oram could have real conversations with David. If not him, Daniels or Tennessee about the future humankind’s path is set on or the Engineers’ purpose. Potential once again lost. Oram is just another guy with faith providing no meaning or value to his own asset to the story of origins. Like the trailer,  Alien: Covenant provided  meaningless scares and predictable deaths. There’s no exaggeration. The deaths are predictable, good acting, but predictable, signing on a new cast dying for a paycheck.

alien-covenant-slice

Some effects I enjoyed but couldn’t help but feel it was a slight downgrade from Prometheus. Times I felt practical effects could have been used but weren’t. i.e. animatronics. The aliens themselves are creepy. Mainly the new one, the neomorph. The original isn’t welcomed like an old friend coming home. Not that it should as it’s history in terrorizing the screen for the past 30 years. We all know what you’re capable of alien, step aside. The neomorph is here and shows it’s origins but where is it on the scale of the Engineers’ existence? Where does it stand? We still know little about the goo from the previous movie. Why couldn’t we just get proper sequel instead of an Alien prequel? You are draining this series dry, Ridley Scott.

The music itself is terrific. With moments calling back to Alien and Prometheus scores gives a hybrid vibe of the universe that’s currently existing and was happy to hear. The additional music was also good, emanating a dark ominous howl. Creating a subtle hint of intense terror that’s not exploding in your face.

It’s interesting to see where the franchise is going.  Not to be sexist but I was hoping not another heroine in this picture. But it’s not all we got. And I hope she isn’t the only one. We’ve had a Ripley. Please, present something new. And try not to kill everyone in the opening credits, so learn from the mistakes. If by chance Scott listens and isn’t a crazed old man looking for a come back and says “F***  it this is how the story is gonna be” we can fix this average film into what the franchise needs: back to answering and asking questions Prometheus introduced. We’ve had our Alien films, bring us something else. Tease us with Alien, give us Engineers and a space to explore with new findings. Our minds are bigger than this. What is life without expanding our boundaries? It’ll be hard to trek back around this film and find our footing once again. Maybe in time this will grow but who knows. We still have stupid characters and a lazy, messy plot that wants to entertain with the occasional questionable dialogue.

I saw a lot of promise when Michael Green was attached (creator/writer of Penny Dreadful, writer of Gladiator). We’ll see where this takes us. Scott proclaims at this moment that the series is pinned for an additional three movies that lead up to the original Alien. Anything could happen. Am I worried? At this point, yea, I am. A Prometheus like sequel will be welcomed. Scott needs to figure out his vision for the future of the franchise. Do I still look forward to the next entry? Hell yea, I do. However, we need innovative ideas. It’s time for the reigns to be passed on Ridley Scott. If you need attention, get a dog.

In the end, I liked the movie. Since Aliens no Alien movie has been perfect. Close calls but no perfect specimen. If Scott plans to release these next few additions then he needs to find that vision and stick to it. Pleasing the audience with a cooked monster will do nothing. Possibly the goriest entry along with Alien Resurrection, we need more than shock and fright. Story much? Missing the chemistry David and Shaw had we can only look forward now after a grim experimentation. One can hope for the director’s cut. As I and fans alike look for the missing parts not already integrated into a film we anticipated for.

neomorph1-700x300

 

Advertisements

The Raid 2 (2014) – IMDb

via The Raid 2 (2014) – IMDb.

Like the rest of the audience who has seen The Raid: Redemption, I was excited to see the sequel The Raid 2: Berandal. When I first found out it was showing at a local theater in my territory for a limited time with few showings to offer, I just had to get a ticket. I walked in the dark, empty theater which the movie has just begun and grabbed my seat, looking at the screen the whole way. Once I sat, a voice to my left says: “out of the whole theater you had to sit next to me?” I didn’t even notice someone was there, the man moves and I say “my bad”. I just wanted to see this film with the best seat. This epic, bloody and complex film Gareth Evans, writer and director, originally conceived before The Raid 1.

The first movie is much simpler than the second. It was straight forward with amazing fights and stunts. The sequel takes off just moments after, already introducing a major villain. We’re then brought to the attention our hero from the previous movie, Rama, that he’s being sent in to the underground world by a secret organization who seeks out corrupt cops. He is to help a dangerous gang member, Uco, who is in jail and earn his trust so he is accepted into their clan on the outside. Once he earns their respect and trust he is to cut the head off the snake so the gang wars will come to an end. But it becomes more than what Rama was expecting, he is caught into a web of distrust, betrayal, and an all out war. The beginning of The Raid 2 is a bit confusing at first, you’re introduced to a number of characters and backgrounds. It’s a little hard to keep up because of the pace it is presented but eventually you move on after the first half hour with a deadly brutal fight scene in the muddy courtyard inside the jail.

The movie doesn’t kid around when it comes to violence, neither is it shy. It is raw and can rival the darkest of horror. It’s an all in your face, no holds bared, adrenaline pumped two and half hour movie. I felt bruised and exhausted after the first movie which was an hour shorter; this one has more to offer as to do with the storyline, which is somewhat reminiscent of The Godfather series. The Raid 2 is relentless in depicting violence but the choreograph is superb. Most notably is the kitchen scene which is Gareth’s favorite, and mine, too. You can feel the momentum and impact in all the fight sequences, they have a way of feeling dynamic. No fight scene is used just to have a fight, everything has lead up to that point where there is reason to fight and makes it feel that more impactful. Much like Gareth’s directing which is also dynamic, it flows with the story and movement of the characters like a punch to the face or grinding a head to the wall. I do have one suggestion, or minor complaint, with all the brutality in the air I was looking for a different fight scene to change pace. There is a scene which leads outside from a club to the snowy streets. The tempo is slowed for a little and our character is faced with another villain, The Assassin. The snow is falling, you still have the dark atmosphere, but the brutality persists. I was hoping for this scene to have a beautifully crafted fight in the snow, without an overdose of blood shed and a ballet like fight. It may sound corny but wish Gareth switched the fighting style. A death like that should be beautiful not torn away meaninglessly. Although, the car chase sequence is awesome and increases the heart rate and is well shot.

Other than the Assassin, two icons have emerged here as if ripped from a comic book. You have a deaf mute, Hammer Girl, who wields two hammers and delivers heavy damage. And her brother Baseball Bat Man who carries a bat and his trusty baseball. The two together are the most interesting characters here who could have their own movie covering their background. Which Gareth Evans did discuss during the awkward Q&A in the special features. Either way, their child-like manners don’t get in the way of them hammering down or hitting their victim from afar with a baseball.

There is a lot that happens in The Raid 2 , although a little confusing first time round, it has a good storyline with unforgetful fight sequences. It’s either just as good as it’s predecessor or better, up to you, but I think it’s just as good. Gareth Evans has filmed a very dynamic and visually artistic action-gangster-epic. He has kept most of his crew from his past couple projects; you will notice stuntmen and characters reprised, and some even from his segment in V/H/S 2 (which was quite shocking and down right creepy). I like it when sequels are different from the first and can still entertain, keeping things fresh. I look forward to the next installment, hoping it will bring a little more to the table. The first two had a dash of subtle dark humor, but very little, perhaps the next Raid will provide more and add some emotional depth. What do you think?