Bargain Bin 1

With so many movies releasing every year it’s hard to keep up. A lot of time is spent on which one to watch?  Hoping you wouldn’t regret your decision after the two hours are up. You may choose one through networking because a friend told you to watch it. Or this other flick was hailed by a bunch of critics. Or perhaps you decided not to listen to anyone and watch some random movie out of the mainstream or whatever the case may be. Well, here’s someone else not to listen to: me.

I have compiled a small list that shouldn’t take up much of your time to skim through; a random selection of movies on different budgets, languages, genres, and other rubbish you may find amusing. Whether whatever weather outside, you sit on fur or leather, this is your chance to be pickey-choosey for your pleasure.

Here you go:

Hunter Prey (2010)

This small film caught me off guard. Whilst i was binge surfing on Netflix I decided to give this movie a try. I knew nothing about it and was rather impressed. A small squad is traveling with a cloaked prisoner on a distant planet when he gets loose and they must find him. Simple right? Hunter Prey is really well done for what it sets out to accomplish. Even though the soldiers’ costumes look like they were borrowed from the Clone Trooper sweat shop, it’s easy to write off for it’s still believable and the make up is also well done. Just please, do not watch the trailer. You are better off not knowing anything since the trailer somewhat ruins the twist and makes it seem more like an action movie.

PS: If you liked Enemy Mine you’d like this.

13 Assassins (2010)

I love Japanese culture and their art style. I love samurai movies even more. Takashi Miike gives himself a break from his outrageous horror/gangster films and brings us a story about thirteen samurai who are set on taking down a corrupt, evil leader. And he is evil. The film is set up in two parts basically, the first is build up. This is when Shinzaemon Shimada collects the twelve other samurai on a suicide mission and in contrary, the evil lord shows us just how evil he is. For some, the first hour may seem slow as it really lets us get to know a little bit about each character. Those who are patient, however, will be rewarded. The last hour is nothing but blood shed as the thirteen face off the many in epic fashion.

PS: I love the wide range of colors presented in every frame. Most notably when Japan’s landscape is shown. 

Session 9 (2001)

A little known horror film that came across my way through a friend. This wasn’t a movie i thought he would even like in the first place so when i watched it I was surprised that HE was the one who found it. Session 9 doesn’t need jump scares, no need for gore, just the real Danvers Mental Hospital to film in. At first, everything seems easy enough for our asbestos cleaning crew in an eerie, haunting asylum. But not everything is what it seems in this psychological horror. Hiding secrets can result in brutal fatalitie. Brad Anderson’s editing, shots, and music is what really creeps up your nerves. As well as the session tapes. There’s something about this place that will leave you feeling mental.

PS: Even though the movie isn’t widely known, those who have seen the ending and were left scratching their skull were not satisfied for it’s rather ambiguous. This is a movie worth watching with some people who are open for conversation. I, myself, loved this film for it will have you thinking for days to come.

The Fisher King (1991)

What to say about this delightful movie? I blessed myself when i purchased this without giving it a first look and  it was the one of the best decisions i ever made. It’s a story about fate and moving on from the past. When a radio DJ (Jeff Bridges) who lost his fame due to assisting a woman’s suicide, crosses paths with a looney hobo (Robin Williams) with a tragic past, becomes a comedic tale of redemption and love. Jack (Jeff) befriends the bum hoping he can help him find his true love and aid his past. All performances  are top-notch giving Robin enough room to be weird and heart warming, and letting Jeff be the down-beat cool guy. A favorite of mine from Terry Gilliam.

Kiss Kiss Bang Bang (2005)

I’m a little butt hurt this movie isn’t more well known, or to my knowledge it is not. You have a kick a** cast and amazing one liners. Scrap that, the whole script must be heard. Val Kilmer and Robert Downey Jr are perfect together, seeing that Val nearly steals the show in every scene.  Their chemistry and delivery couldn’t be any more pluperfect. The story line is a little everywhere which will take you a couple times to re-watch this. That’s not a complaint though, do yourself a favor and have fun solving this jazzed up mystery. I couldn’t recommend it enough.

PS: Still reading? Stop, i found your movie. 

Spring (2014)

Spring (2014) – IMDb

From the minds of Aaron Moorhead and Justin Benson (Resolution) comes a fantasy tale of love disguised as a creature feature. Spring is a different movie and is similar to Richard Linklater’s talkie, but romantic Before trilogy with a monster twist. The movie is set on the coast of Italy, a beautiful setting with a labyrinth of brick roads. Age old buildings tower above the white cliffs overlooking the ocean with a taste of vino and smell of greenery in the air. This is where our protagonist, Evan (Lou Taylor Pucci), escapes from drama in the U.S. of A. after his mother passes, and he loses his job. He arrives in Italy and makes some quick acquaintances who help him to a few drinks and some fun.  Suddenly, Evan meets this beautiful ‘goddess’ of a woman, Louise (Nadia Hilker).  She is beautiful. If she told me she was a 2,000 year old mythical goddess, I would believe her. Louise is a man’s fantasy come true, inviting Evan to come away with her when they first meet. As easy as he could take her up on this offer, he simply wants to sit down and have a drink with her, get to know her more.  However, love has a way of ‘transforming’ things.

Lou Taylor Pucci and Nadia Hilker have wonderful chemistry. At first, you can sense Evan wants this girl, whether it’s lust or love; and you can sense Louise being distant with him, but still likes his close company. The dialogue between them feels like we’re listening in on a conversation between two complete strangers who found a connection. The writing is authentic and quirky, and each character has their own characterized way of speaking, even the smaller roles. Spring is a slow paced movie, but is still ever so engrossing with the dynamic writing, beautiful scenery, and the unfolding of the mysterious, pretty lady’s dark, inner secret. The move is not scary, naturally. It has horror elements and themes, and the climatic monster reveal is both shocking and peculiar.

I blindly purchased Spring due to it’s interesting setting and plot, and after from what I heard, and instinct was telling me, we found each other at a local Best Buy as fate has brought us. I enjoyed this movie and the connection between the two leads. Lou Taylor Pucci is a well rounded actor. I have seen him in a few flicks now and find find his talent underrated. In Spring, he is charismatic and very likable as Evan, even funny; same goes for Nadia Hilker’s role. Although, I watched a special featurette where the makers felt the ending was premature, so they went out and shot an extended ending with their iPhones. To be honest, I was happy with the original ending and thought the new one turned Evan into an unlikable character.

Anyways, Spring is a unique film. It’s labeled horror, but it’s different and not what you’d expect. If you’re expecting something like Species or The Howling, then this might not be for you. If you want something fresh, change of pace, like HoneymoonI do recommend it as a date night movie. Spring stands out from the rest of the body horror/creature feature flock, possibly becoming a cult classic.

Jurassic Park (1993) – IMDb

via Jurassic Park (1993) – IMDb.


I remember owning this movie on VHS and had my name written on it so people knew whose it was. Jurassic Park had a tremendous influence on me, as it did a whole generation and many to come; it was one of the reasons I fell in love with practical effects and creature features. Steven Spielberg didn’t intend for this movie to be a monster movie but more about what would happen if engineers brought dinosaurs to life and we walked side by side? Universal Studios bought the rights to Jurassic Park before it was even published, confident it would be a box office hit. Right they were. The movie was sold out for consecutive days. David Koepp, the writer, said: “I’m no expert, but I think this is a good movie.” We’re still under the shadow of this colossal movie, having the fourth installment arriving just days away, exactly 22 years after the first was released. It is much anticipated by fans and new comers to sink their teeth into but I feel it won’t have as much a bite as the first initially did. It is epic, beautiful, thought provoking, and a harrowing adventure that friends and families will remember for a lifetime to come.

We all know Steven Spielberg can handle any project he comes into contact with, he has an act for directing with a sense of warmth, suspense and adventure in his pictures. Jurassic Park is clearly a masterpiece. From the special effects to the subtle wit to the dramatic ferociousness and back to the overwhelming, spectacular effects. Stan Winston (Aliens) and his team out did themselves here, the effects are top notch and even subtle. Like when Lex shines a light into the T-Rex’s eye, it dilates; or when the raptor’s eyelids move or nostrils flare. The dinosaurs have so much life, you can see the weight and even their breath on glass. They seem so realistic it’s extraordinary to this day, and the CGI is better than a lot of movies today. The special effects won an award for their hard earned effort and same for the incredible sound. Without the sound, or music, Jurassic Park would have a big difference. The score is beautiful and adventurous and will stay in your head, I even whistle it randomly. The music and sound together adds to it’s over all atmosphere giving it a distinctive feeling, it’s a whole another universe to experience and yet it’s familiar.

In the first hour it’s all character development. The slow burning attribute helps the viewer become aware of what you’re watching and it makes you feel more. It draws you in with the sense of control Spielberg has on the development of the story. You are introduced to an engaging and varied sorts of characters. You have the creator of the amusement park John Hammond, played by Richard Attenborough who was good friends with Spielberg and fits his role. Hammond comes and invites two paleontologists, Dr. Sattler (Laura Dern) and Dr. Grant (Sam Niell), to visit his monstrous park. Sattler is ready to move forward in a relationship with Grant and have kids but he simply does not like them, must be the smell. Grant is also old fashioned and loves his work but sees technology is making his field more advanced. Although it helps with new discoveries, it takes away the whole experience of digging. Flying over seas via helicopter to an island 150 miles away from Costa Rica you meet Jeff Goldblum’s best fitting character Ian Malcolm, otherwise known as Dr. Chaos. There’s also the blood sucking lawyer, Genarro, who is greedy for money and only cares about convincing his investors; Hammond’s two grand kids who are stellar actors here, and the veteran hunter, Muldoon, who has a close eye on the velociraptors.

From the landing pad to becoming a dinosaur’s next meal is a fun experience on par with a theme park. Exactly one hour in is when the movie kicks in gear and you are treated to the infamous T-Rex scene breaking out of his paddock. Spielberg presents the terrifying creature with precision and horror, taking enough time to invoke this unstoppable fear that will cause chaos.
During filming, when it would rain, the T-Rex would malfunction and come to life and scared some of the crew. Shoot, I would, too, seeing it was a life size man-eater! The crew would give out warning when the monstrous king would step out onto the set since a sweep of it’s head flying by you felt like a bus passing by. Put that into perspective…

Jurassic Park will feed you some scary sequences. John Hammond, the theme park creator, takes his guests to the velociraptor’s paddock just in time to see it fed. You don’t see it, only it’s small area of confinement that’s covered with plant life. A cattle is lowered into the thick. And then the crunching and mauling sound of it being torn to shreds and the plant life shaking and swaying, reacting violently. The feeding scene is excruciatingly terrifying cause your imagination goes to work like the raptor does on the cattle. You also learn these animals have intelligence. What’s more terrifying than intelligence? Intelligence with memory, even more so when you find out it has escaped.

Man and dinosaurs were not meant to walk side by side. There are discussions and themes about it through out the movie. One of my favorite scenes, one that seems to be overlooked (and as a child I found boring) is after the raptor’s snacking when the group gather in a room to discuss the park and have a bite to eat. Although, no one touches their food. In fact Hammond is bewildered that the scientists don’t like the idea of free will to create this life that has been separated from humankind for 65 million years. Especially Ian Malcolm (who has the best lines), who has a morbid sense of humor but is also deep in thought; he is dressed in all black, contrary to John Hammond who is dressed in white. This is symbolic for the two characters. Hammond is a God-like figure. He has been present for every birth on the island and, like birds, they imprint the first face they come into contact with which helps them to trust him. Hammond has the power to create the illusion of life out of free will but failed to have the discipline and responsibility to gain this power therefore not fore seeing the actions he has put into play. Moving up from his flea circus, he wanted something tangible for people to see and touch. But he wants to control the uncontrollable; life finds a way, as Malcolm tries to convey to him the chaos theory. Malcolm has a dark approach but it’s reality. Telling Hammond that life breaks boundaries, painfully and even dangerously. You can not simply control something that wants to be free. It was natural selection that killed the dinosaurs and they were “[raping] the natural world” bringing them back. Hammond’s ignorance and Malcolm’s arrogance are the best of both worlds, providing us deep conversation with intrigue. 

Michael Crichton wrote Jurassic Park because of his fear of advancing bio-engineering technology and that one day dinosaurs will be back possibly for the sake of entertainment and profit. Something to think about of our future. Also, Crichton compared himself to Malcolm because of his outlook on life and Spielberg to Hammond. If that’s so, than I’m Grant cause I’m not really good with technology either.

We can’t even handle each other, what makes you think we can handle dinosaurs? Steven Spielberg has directed a genuinely smart, timeless epic that inspires me to read the book and will be loved by everyone to come into contact with. This magical movie leaves a message for us and after an unlikely hero saves the day, the ending moments leaves a sweet, melancholy filling. No words are spoken, just the beautiful score to help sink in our survivors’ weekend adventure.

Extra: I’d like to think Wayne Knight’s character Nedry, changed his name from Newman (Sienfeld) who was having financial problems but found a way to fix that. He left his apartment in New York and his post man job to do a gig for a company who wanted dinosaur specimens. His mission: to infiltrate the lab on Site A and acquire dinosaur embryos and return them for large amounts of cash. But when you combine money and greed, you become blinded by a toxic, gooey venom of evil.